ruslan i lyudmila

entry8 galeri
    3.
  1. --spoiler--
    CANTO THE SECOND
    You whose swords clash in contest gory,
    Persist in your dread rivalry;
    Pay tribute full to sombre glory
    And relish hate and enmity!
    Let the world, gaping at your deadly
    Encounters, freeze-know: none will try
    To interfere; more-none will, sadly,
    Of pity for you breathe a sigh.
    You who compete in different fashion,
    Of the remote Parnassian heights
    The mettlesome and valiant knights,
    Fence if you must, but with discretion,
    From vulgar bickering refrain:
    The herd 'twill only entertain.
    And as for you, by tender passion
    Made bitter rivals, pray remain
    On cordial terms-for he who's fated
    To win a maid's love this will do
    Though all mankind should lay plans to
    Keep the two lovers separated....
    Why fume?-It's silly and a sin.
    When bold Rogdai, his heart with dim
    But chilling boding filled, had parted
    From his companions three and started
    Across a lonely tract of land,
    As he rode swiftly o'er the woody
    And silent plain, on his ills brooding,
    The hapless youth could ill withstand,
    So troubled were his thoughts, so painful,
    The Evil Spirit's taunting baneful,
    And whispered: "Smite I shall and kill!
    Bewar Ruslan, Ludmila will
    Weep over you, I swear!..." And turning
    His steed about, down dale, up hill
    He galloped, for sweet vengeance yearning

    Meanwhile, Farlaf, that fearless soul,
    Had spent in sleep the morning whole,
    And then, from noon's hot rays well sheltered,
    Beside a brook himself he settled
    To dine and thus to fortify
    His moral fiber. By and by
    He saw a horseman in the mead
    Toward him charging. Disconcerted,
    The knight with quite uncommon speed
    His food and all his gear deserted,
    His mail, his helmet, and his spear,
    And 'thout a backward glance went flying
    Off on his horse. "Stop, wretch, you hear!
    The other cried, to halt him trying.
    "Just let me catch you, and you're dead-
    I'll make you shorter by a head!"
    Farlaf, who found the voice belonged
    To bold Rogdai, his rival, longed
    The more—quite wisely-to be gone
    And his horse lashed and goaded on.
    So will a rabbit, danger scenting,
    Stop short, and, to escape attempting,
    Ears folded, by great leaps and bounds
    O'er lea, wood, mound, run from the hounds.
    Where passed the chase in all its glory
    Spring had the snows of winter hoary
    Into great, muddy torrents thawed,
    And these at earth's breast ceaseless gnawed.

    Farlaf's horse, now a wide ditch facing,
    His tail shook mightily, and, bracing
    Himself, in his teeth took the bit
    And leapt across, nor was a whit
    The worse for it. Not so his timid
    And far less nimble rider who
    Rolled down, head over heels, on to
    The mud, and lay there, floundering in i
    And waiting to be slain.... Rogdai
    Storms up, a wrathful vision. "Die,
    Poltroon!" he roars, and his swwd raises,
    But then is brought up short; his gaze is
    Fixed on his foe. Farlaf! Dismay,
    Surprise, vexation, rage display
    Themselves on his face. His teeth grinding
    He swears aloud. We see him riding
    Away in haste, inclined to laugh
    Both at himself and at Farlaf.

    Soon on a pathway upward winding
    He met a hag with snowy hair,
    A feeble, bent old thing. "Go there!"
    She quavered, "That's where you will find him!"
    And with her staff she pointed north.
    Rogdai felt cheered; nay, more-elated.
    Quite unaware that death awaited
    Him up ahead, he started forth.

    And our Farlaf? Upon his bed
    Of mud we see him breathless lie.
    "Where has my rival gone? Am I
    Alive," he asks himself, "or dead?"
    Then suddenly from overhead
    A voice comes-it is hoarse, deep-soundins
    "Rise, stalwart mine, all's calm around you,",
    The crone says. "Here's your charger; you
    Need fear, good youth, no dangers new."

    At this the knight crawled slowly out
    And looked around him in some doubt.
    Relieved, he uttered sighing deeply:
    "I do believe I got off cheaply....
    The Lord be thanked! No broken bones!'

    "Ludmila's far away," the crone's
    Next words were, "and though we be tempted
    To try and find her, to attempt it
    Is most unwise.... No, no," she drones,
    "We'll not succeed: too many hurdles,
    And, all in all, to roam the world is
    A rather risky enterprise;
    You'd soon regret it. I advise
    You to go straightway home to Kiev;
    On your estate your days you'll spend
    In ease, behind you danger leaving -
    Ludmila won't escape us, friend!"

    With this she vanished, and our knight,
    The flame of love well-nigh extinguished
    And dreams of martial fame relinquished,
    Set off for home. 'Twas not yet night,
    But any noise however slight,
    A rustling leaf, a bird in flight,
    A brook's song put him in a sweat.

    But let us now Farlaf forget
    Across a wood we see him ride....
    In thought he lovingly embraces
    His only love, his fair young bride.
    "My wife," he cries, "my own Ludmila,
    Will e'er I find you, dear one, will I
    Your gaze full of enchantment meet
    And hear your tender voice and sweet?
    Say, is it in a wizard's power
    You are, and is the early bloom
    Of youth to fade? Are you to sour
    And wither in a dungeon's gloom?...
    Or will one of my rivals seize you
    And bear you off?-Nay, love, rest easy:
    My head is on my shoulders still,
    And this my sword I wield with skill."

    One day at dusk Ruslan was riding
    Along a steep and rocky shore,
    The stream below in shadow hiding,
    When with a whine an arrow o'er
    His head flew, and behind him sounded
    The clang of mail, the heavy pounding
    Of hooves, a horse's piercing neigh.
    "Halt!" someone shouted. "Halt, I say!"
    The knight glanced round: far out afield,
    With spear raised high and ready shield,
    A rider galloped whistling shrilly.
    Ruslan, his heart with anger filling,
    His steed turned speedily about
    And charged toward his grim assailant
    Who met him wdth a brazen shout:
    "Aha, I've caught you up, my gallant!
    First taste of steel, then seek your fair!"
    Now, this Ruslan could little bear;
    He recognized the voice and hated
    The sound of it. "How dares he! I'll-"

    But where's Ludmila? For a while
    Let's leave the two men; we have waited
    Quite long enough, 'tis time to turn
    To our dear maid now and to learn
    How she, one lovely past comparing,
    Has at her captor's hands been faring.

    A confidant of wayward fancy,
    Not always modest have I been,
    And this my narrative commencing,
    Dared to describe the night-cloaked scene
    In which our fair Ludmila's charms
    \Vere from her husband's eager arms
    Whisked off. Poor maid! When, quick as lightening,
    The villain with one movement mighty
    Removed you from the bridal bed,
    And like a whirlwind, skyward soaring,
    Through coils of smoke charged on, ahead
    Toward his kingdom's mountains hoary,
    You swooned away, but all too soon
    Recovered from that welcome swoon
    To find yourself, aghast, dumfounded,
    By lofty castle walls surrounded.

    Thus-it was summer-at the door
    Of my house lingering, Г saw
    The sultan of the henhouse chasing
    One of his ladies, and moved by
    Hot passion, with his wings embracing
    The flustered, nervous hen.... On high
    Л grey kite hovered, old marauder
    Of poultry-yards; in rings o'erhead
    He slowly sailed, unseen; then, boldly,
    With lightning speed, dropped down, a dread
    And ruthless foe, his plans death-dealing
    Laid earlier.... Up soars he, sealing
    The fate of his poor, helpless prey.
    Clutched in his talons, far away
    He bears her to the safety of
    A dark crevasse. In vain, with fear
    And hopeless sorrow filled, his love
    The rooster calls: he sees her airy
    And weightless fluff come drifting near,
    By swift, cool breezes downward carried.

    Like some dread dream, oblivion
    Ludmila chains. She cannot rise
    And, in a stupor, moveless lies....
    The soft, grey light of early dawn
    Revives her, deep within her rouses
    Unconscious fear and restlessness;
    Sweet thoughts of joy her heart possess,
    For surely her beloved spouse is
    Nearby!... "Where are you, dear one? Come!
    She whispers, and-is stricken dumb.
    W^here is your chamber, my Ludmila?
    Poor, luckless maiden, you lie pillowed
    Upon a lofty feather-bed;
    On silken cushions rests your head;
    The canopy that floats above you
    Is tasselled, rich, and like the cover,
    Patterned most prettily. Brocade
    Is everywhere, and winking, blazing
    Gems likewise. From fine censers made
    Of gold rise balmy vapours hazy....
    But 'tis enough! This pen of mine
    Must fly description-by another
    Was I forestalled: Scheherezade.
    And no house, be it e'er so fine,
    Affords you any pleasure, mind you,
    Unless your love is there beside you.

    Just then, in garments clad air-thin,
    Three comely maidens tiptoed in.
    With bows for the occasion suited
    Ludmila mutely they saluted,
    Then one, of footstep light, drew n'
    And with ethereal fingers plaited
    Her silken locks, a way, I hear,
    Of dressing hair that has outdated
    Long since become. Upon her head
    Л diadem of fine pearls setting,
    She then withdrew. With softest tre
    The second maid approached; 'thout letting
    Herself glance up, all modesty,
    In sky-blue silk Ludmila she
    Gowned quickly, and her golden tresses
    Crowned with a mis-like veil that fell
    About her shoulders. There-how well
    It shields her, with what grace caresses
    Charms for a goddess fit; her feet
    Encased are in a pair of neat
    And dainty shoes. The third maid brings her
    A pearl-incrusted sash; unseen,
    A gay-voiced songstress ballads sings her....
    But neither shoes, nor gown, nor e'en
    The pearly sash and diadem
    The princess please; no song delights her,
    Indifferent she stays to them;
    In vain the looking-glass invites her
    To eye her new-found finery
    And revel in its wealth and splendour -
    The sight seems almost to offend her:
    Her gaze is blank; sad, silent she.

    Those who love truth and like to read
    The heart's most secret book, must know
    That should a lady, plunged in woe,
    In spite of habit or of reason,
    Oblivious of time or season,
    Into a mirror through her tears
    Forget to peek-well, then she is
    In a most grievous state, indeed.

    Ludmila, left alone again,
    Uncertain what to do, beneath
    A window stands and through the pane
    Drear, boundless reaches, wondering, sees.
    On carpets of eye-dazzling snow
    Her gaze rests; filled is she with sadness....
    Before her all is stark white deadness;
    The peaks of brooding mountains show
    Above the silent plains, and, sombre,
    Seem wrapt in deep, eternal slumber:
    No wayfarer plodding slowly past,
    No smoke from out a chimney trailing,
    No hunter's horn resounding gaily
    Over the snow-bound, endless waste....
    Only the rebel wind's wail dismal
    At times disrupts the calm abysmal,
    And etched against the sky's bleak grey,
    The nude and orphaned forests sway.

    Despairing, tearful, poor Ludmila
    Her face hides in her hands, unwilling
    To think of what may be in store....
    She pushes at a silver door
    Which opens with a sound most pleasing;
    Before her, with their beauty teasing
    The eye, spread gardens that surpass
    King Solomon's in loveliness,
    And e'en Armide's and those that to
    Taurida's prince belonged. The view
    Is one of trees, green arbours forming
    And swaying gently; in the air
    Of myrtle floats the sweet aroma;
    Palms line the paths, and bays; with their
    Proud crowns the mighty cedars boldly
    The heavens brush; agleam with golden
    Fruit are the orange groves; a pond
    Mirrors it all.... The hills beyond,
    The vales and copses by the blaze of
    Spring are revived; the wind of May
    Sweeps o'er the spellbound leas in play
    In song melodious and gay
    A nightingale its sweet voice raises;
    Great fountains upward, to the sky,
    Send sprays of gems, then down, enwreathing
    The statues that, alive and breathing,
    Around them stand. If Phidias' eye
    On these could rest, he, though by Pallas
    And by Apollo taught, would, jealous,
    His magic point and chisel drop....
    In swift and fiery arcs that shatter
    'Gainst marble barriers which stop
    Their headlong downward plunge and scatter
    The tiny motes of pearly dust,
    The waterfalls cascade, while just
    A few steps farther out, in nooks
    By thick trees shadowed, rippling brooks
    Plash sleepily.... The vivid greenness
    Is by the whiteness here and there
    Flecked of the lightly-built pavilions
    That offer shelter from the glare....
    And roses, roses everywhere!...
    But comfortless is our Ludmila,
    What round her lies she does not see;
    The magic garden does not thrill her
    With all its sensuous luxury....
    She walks all over, where she's going
    Not caring; more-not even knowing,
    But weeping copious tears, her eye
    Fixed sadly on the merciless sky....
    Then suddenly her gaze grows brighter
    And to her lip her hand flies lightly:
    Despite the sparkle of the morn
    A frightening thought in her is born....
    The dread way's open: death waits for her -
    Above a torrent, there before her,
    A bridge hangs 'twixt two cliffs. Forlon
    The hapless maid is and despondent,
    She looks upon the foaming stream,
    Her tears grow ever more abundant,
    She strikes her heaving breast-'twould ;
    She is about to jump-but no,
    We see her pause ... and onward go.

    Time passes, and Ludmila, weary,
    (Too long has she been on her feet)
    Feels her tears drying as the cheering
    Thought comes that yes, it's time to eat.
    She drops down on the grass, looks round her,
    And lo!-a tent's cool walls surround her....
    The gleam of crystal! A repast
    Is set before her, unsurpassed
    In choice of food. The gentle sound of
    A harp steals near. But though at this
    She marvels, our young princess is
    Still not at peace, still sorrow-hounded.
    "A captive, from my love torn, why
    Should I not end it all and die?"
    Thinks she. "Oh, villain, you torment me
    Yet humour me: such is your whim,
    But I ... I scorn you and contempt
    Your wily ways. This feast you sent me,
    This gauzy tent wherein I sit,
    These songs, a lovelorn heart's outpouring,
    Which, for all that, are rather boring,-
    In faith, I need them not a whit!
    'Tis death I choose, death!" And repeating
    The word again, the maid starts... eating.

    Ludmila rises; in a twinkling
    Gone are the tent and rich repast;
    The harp is silenced, not a tinkling
    Disturbs the calm.... On walks she, past
    The greening groves and round them wanders,
    While high above the wizard's gardens
    The moon appears, of night the queen,
    And in the heavens reigns supreme.
    From every side soft mists come drifting
    And on the hilltops seek repose.
    Our princess feels inclined to doze,
    And is by some strange powers lifted
    As gently as by spring's own breeze
    And carried through the air with ease
    Back to the chamber richly scented
    With rose oil, and put down again
    Upon the couch where, grief-tormented,
    She lay before. And now the same
    Three youthful maidens reappear
    And, round her bustling, they unfasten
    Hooks and the like of them and hasten
    To take her raiments off. They wear
    An anxious look; of mute compassion
    Their aspect leaves a faint impression
    And of a dull reproach to fate.
    But let's not tarry more: 'tis late,
    And fair Ludmila is by tender
    And skillful hands by now undressed.
    Robed in a snowy shift that renders
    Her charms more charming still, to rest
    She lays her down. The three maids, sighing,
    Back out with bows, the door is shut.
    What does our captive?-Lies there, but
    Shakes leaf-like, and, sleep from her flying,
    Feels chilled and dares not breathe. Her gaze
    Bedimmed by fear, she moveless stays
    And tense, with all her being trying
    To penetrate the voiceless gloom,
    The numbing stillness of the room;
    Her heart throbs wildly, fitfully,
    An agitated, endless thru nming....
    The silence seems to whisper; she
    Hears someone to her bedside coming
    And in her pillows hides, and oh!-
    The horror of it-footsteps.... No!
    It cannot be, she must be dreaming.
    The door swings open; there's a flare
    Of light, and silent, pair by pair,
    \ file of Moors, their sabres gleaming,
    Steps in with even, measured stride.
    A look most grave and solemn wearing,
    On downy pillows they are bearing
    A silver beard. Puffed up with pride,
    A pose assuming grand and stately,
    Behind it marches in sedately
    A hunchbacked dwarf, chin high. It is
    To him the beard belongs. On his
    Clean-shaven pate a tall, close-fitting
    Tarbush. wound round with cloth, is sitting.
    He nears her, and Ludmila, led
    By shock and fright, flies off her bed
    And at him, and his cap she clutches,
    And lifts a shaking fist, no doubt
    To try to shield herself. And such is
    The shriek the poor maid now lets out
    The Moors are deafened by't, while pale
    Than his fair captive turns her jailer.
    He makes to flee, half turns about,
    Claps hands to ears in desperation,
    And trips, a victim of frustration
    And umbrage, on his beard, falls to
    The floor, gets up, falls dow^n anew,
    Is quite entangled.... In a dither
    His dusky menials all are. Hither
    And thither rush they, shout and push.
    Then. flushed, confused, a wee bit angered,
    They bear him off to be untangled
    And quite forget the dwarfs tarbush.

    But what of our young hero? Pray
    Remember the unlooked-for fracas.
    Your pencil, quick, Orlovsky! Make us
    A sketch of that night-shrouded fray.

    The moon shines down upon a cruel
    And savage match. Incensed, the young
    Combatants fight their bloody duel
    Thout respite. Their great lances flung
    Are far from them, their swords lie shattered,
    Likewise their shields, their mail is spattered
    With blood.... And yet the gory joust
    Goes on. Beneath them, waging battle,
    Their steeds whip up dark clouds of dust.
    In an embrace of steel the two
    Bold knights are locked (they're on their mettle),
    But seem quite moveless, as if to
    Their saddles welded. Rage and ire
    Their limbs turn stiff. A liquid fire
    Sweeps like a torrent through their veins;
    They're intertwined; chest 'gainst chest streins-
    But now they weaker grow, they tire;
    'Tis clear that soon one of them must
    Go under, by the other bested.
    Ruslan with iron hand a thrust
    To his fierce rival gives, and, wresting
    Him from the saddle, lifts him high
    Above himself and never falters
    But hurls him down into the waters
    That seethe below them, shouting "Die!"

    I'm sure, my friends, you've guessed arigh
    With whom my brave and gallant knight
    His duel fought. Of battles deadly
    The seeker rash it was, Rogdai.
    The hope of Kiev, darkly, madly
    Ludmila loved he and was by
    This led to seek his rival. On
    A Dnieper bank it was he found him:
    Persistence and resolve had won!
    Alas! The hero's strength unbounded
    Deserted him, and in the wild
    He met his end, was then beguiled
    By a young mermaid who caressed him,
    And to her icy bosom pressed him,
    And, laughing, drew him down at last....
    For many years thereafter, when
    Night came and o'er the heavens cast
    Its sable shroud, his ghost, appearing
    There on the bank or in a clearing,
    Would frighten lonely fishermen.
    --spoiler--
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